Berio composed the first of his Sequenze in , for flute; it was published by Edizioni Suvini Zerboni. Having set himself the task of writing multi-voiced music . The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

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Sequenza I – Wikipedia

This videos, the service, the quality, everything is perfect!! Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form.

Drinking Hanging Out In Love. But I do own the new addition, and am finding it more useful than ever this time around to answer questions about timing. Specifically for the SequenzaI consider the soul of the work to be in the swquenza, held-out notes.

Next week there are plenty of pieces to prepare, old and new, but I decided to forget about them and devote my practice time to concentrate on Berio.

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So I warm up, play Bach for sound, articulation, style and focus. Here is the link.


This winter break has been very stressful. Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.

I have also enjoyed watching Paula Robison speak on the subject. Nevertheless, neither you nor I can assume that a work without a traditional tonal center and without traditional harmonic relationships is devoid of centers and relationships entirely.

AllMusic relies heavily on JavaScript. I am unashamedly playing from the old edition. Login Remember Me Don’t have an account? The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance. Don’t have an account? I have performed the piece several times, and have no exclusivity — except for in the Netherlands Sorry! Works for Flute Solo.

But now back in the saddle of my bicycle in the temperate zone of Northwestern Europe, I have hit my stride. The main reason is that my body feels soooo much better when I keep my practice time to only a few hours a day. Then for the rest of the day I do my Helen stuff, read, hang out with family, watch dumb and smart stuff on Youtube, study Jazz.

Sequenza I, for flute

No rehearsals or teaching this early in the year. Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation. Here is an example of her graphic score, Stripsody https: Genre Chamber Music Classical.


This is one of the most difficult pieces for flute. Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. One of the really big challenges on flute is to play the Berio Sequenza. I have only the following reservations: This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I.

From A to Z, Vol. Family can be stressful, my son is befio a difficult age, I myself am at a difficult age.

Berio | Helen Bledsoe, Flutist

Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line.

This is one reason it is not my favorite piece to listen to. Often there are rapid, virtuosic passages punctuated by the stillness of a single note, where flufe quality of sound and the relationship to its environment are of utmost importance.

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